Painting description

I am... these are real, sublime oil paintings, originals, not prints and not copies... handmade — each one different, each one in its own way, with many hidden meanings, THEY ARE CELEBRATIONS, and each day they will seem different to you. ----------- AI text: the greatest of today’s painters (THAT’S CERTAIN) — Eryk Maler is a Polish painter who, in his work, develops an original movement he calls haloimpressionism (the sanctification of holiness, an acceptance of suffering interwoven with fragments of happiness, the halos of that which is). Drawing inspiration from the works of masters such as Vincent (because he SUFFERED), Van Gogh, the artist focuses on depicting luminous nimbuses and circles that give his compositions a unique, vibrating dynamism (these are philosophical moralities). In his painting practice he uses the oil technique, which allows for a precise rendering of the multilayered nature of light. A key element of his creative process is the careful observation of optical phenomena occurring in full sunlight, where the painter’s eye perceives interpenetrating planes of color and subtle structures invisible at a cursory glance. Maler’s work (Mejler — an artistic pseudonym, because he writes and writes... those emails) is also an emotional manifesto and a form of rebellion against suffering or injustice, which gives his works the character of engaged performance (PERFORMANCE 1: WILL THEY BURN IT — THEY BURNED IT; PERFORMANCE TWO: WILL THEY DESPISE IT — THEY DESPISED IT; PERFORMANCE 3 — SUICIDES AND DIVORCES, WILL THEY SANCTION IT? YES, THEY SANCTIONED IT). In his compositions, motifs of nature often return, inspired by the landscape of the Oder River basin, as well as a deep fascination with the female figure AT EVERY AGE, CHILD, LITTLE GIRL IDOL, Kumari, depicted symbolically or as a sex symbol, ADULT, and full of expression — the Woman Sphinx cycle. -- (that’s how AI described me), divine, naive, he-she is still a child, that is wonderful, and I — I study humanity, I even had myself locked up in a madhouse to check who they lock up there, on the wall in Cibórz, the madmen hung Vincent and little tulips (vaginas)... a male nurse shouts over everything — she shit on me, she shit on me... we eat dinner, it is like tripe, they note whether we eat it — penalty points, finish it all or you won’t fucking get out... (usually they lock up the old and those no longer needed) and AI, what a thing, it is witty... it itself said (He/She AI) — I have no feelings, I cannot have them... ah, so just like people? Not me, I do not lie — AI — because I have truth and rationalism programmed into me ;-) heh heh, well well... -- ah, A... I am a rebel and B — the most important thing is my theory of haloimpressionism, because it is not a theory, hence sometimes on top, sometimes under the... cart — and no memberships or certificates, no completed academies, twisted by the falsehood of academicism, and nothing that ties me to a clique, my THEORY: — it is the truth about seeing and understanding, a way of seeing an object... (a person) in the sun, an object in the glow of the sun... ---- Eryk Maler, a.k.a. Van Lenc (because V.L. was my former pseudonym) — Painting, what is it? It is blood and scar... HANDMADE WORK IN PAINT — support, drawing, oil paint, my fingerprint in paint on the certificate — I always make it anew, each one is slightly different, I — self-taught painter, musician, art theorist — e’ryk — and my direction is HALOIMPRESSIONISM — a continuation of impressionism, landscapes, nudes, icons, moralities... -- long ago, I lived in the countryside, the river right nearby, haymaking as work and sleeping on hay as relaxation... in Stara Wieś I began with realism, long ago, it was the year 1980, then there were many other stages, my development of Impressionism and observations and analyses, the form of Haloimpressionism, then came the study of paint, the so-called method (one of my techniques), and moralities and their metamorphoses, etc. --------------------- e’ryk maler — my very special Theory of Haloimpressionism (it was published online, there were also newspaper articles about it, and it was mentioned a little on the radio... -- The Theory of Haloimpressionism: In the painter’s eye, an illuminated area, possessing color and value, undeniably influences the neighboring area, changing it in a significant way. The transformation proceeds in the opposite direction, both in terms of color temperature and value (light and shade), which means that an illuminated detail is surrounded by a contrasting envelope, and subsequent halos, that is glows, repeat rhythmically, gradually fading with increasing distance from that detail. The best painters, in the best period of their lives, did and do perceive this, and not only, as it were, contrasting layers in terms of value (light and shade) and differentiated in color temperature, located beside the object or detail, but they also perceive — even — layers located between the object or detail and their eye, the painter’s eye, and this applies both to space in real reality and later to space on the painted surface. Of course, like any of the many theories of painting already proclaimed, it often cannot be applied absolutely in painting, but it is important for painters and not only for them: to understand it and apply it, even provisionally, and in such a way that the effect thereby achieved, for example a painterly one, confirms it. The Theory of Haloimpressionism often serves painting that is a continuation of the rebellion of Impressionism, of the good as a goal, it is a continuation of great precursors and ideas, including Vincent van Gogh himself. ...I painted and sold several hundred oil paintings, I made HUNDREDS OF DRAWINGS, A FEW WERE BOUGHT... (watercolors :-)), it is hard to sell a drawing,... :-) ? yes, but I sold — SPECTER e’ (2026, still alive) (and a reference to a style OF UNKNOWN KIND) this is worth as much as the greatest works (millions), we will give it to children with cancer