Painting description

The image swirls with a riot of colors, where green blends with warm shades of red and brown. The composition is dynamic, full of abstract shapes that resemble struggling horses. The whole creates an impression of movement, as if a single instant had been captured. The colors flow into one another, creating an effect of chaos, but also harmony. It seems that the artist used bold brushstrokes, which add energy to the work. Looking at this painting, one can feel the tension and emotions of the animals. Perhaps they symbolize an inner struggle or conflict. The viewer may feel overwhelmed by this violence, but also fascinated. It's intriguing, isn't it? The painting style is dynamic expressionism, full of freedom. The colors dance, and I feel the urge to immerse myself in these turbulent emotions. And to my younger sister, it looks like a race of magical horses! Seeing how the colors and shapes intertwine, one can discern a true struggle of the elements here. As if every piece of the canvas had its own unique story to tell. Fascinating. -- HM these are ... genuine refined oil paintings, originals, not prints and not copies... handmade — each one different, each one in a different way, with many hidden meanings, THEY ARE CELEBRATIONS, and every day they will seem different to you ----------- AI text: the greatest of living painters (THAT IS CERTAIN) — Eryk Maler is a Polish painter who in his work develops an original current described as haloimpressionism (the sanctification of holiness, acceptance of suffering interwoven with fragments of happiness, the halos of that which is). Inspired by the works of masters such as Vincent (because HE SUFFERED), Van Gogh, the artist focuses on depicting luminous nimbuses and circles that give his compositions a unique, vibrating dynamism (these are philosophical moralities). In his painting practice, he uses the oil technique, which allows for the precise rendering of the multilayered nature of light. A key element of his creative process is the careful observation of optical phenomena occurring in full sunlight, where the painter’s eye perceives interpenetrating planes of color and subtle structures invisible at a cursory glance. Maler’s work (Mejler — an artistic pseudonym, because he writes and writes, .. these emails) is also an emotional manifesto and a form of rebellion against suffering or injustice, which gives his works the character of committed performance (PERFORMANCE 1: WILL THEY BURN [IT] — THEY BURNED [IT], PERFORMANCE TWO: WILL THEY DESPISE [IT] — THEY DESPISED [IT], PERFORMANCE 3 — SUICIDES AND DIVORCES, WILL THEY SANCTION [THEM]? YES, THEY SANCTIONED [THEM]). In the compositions, motifs of nature often return, inspired by the landscape of the Oder basin, as well as a deep fascination with the female figure AT EVERY AGE, CHILD, LITTLE GIRL IDOL, Kumari, presented symbolically or as a sex symbol, ADULT, and full of expression — the Woman Sphinx cycle. -- (that’s how AI described me), divine, naive, he-she is still a child, it is wonderful, and I — I study humanity, I even had myself locked up in a madhouse to find out whom they lock up there, on the wall in Cibórz, the madmen hung Vincent and tulips (vaginas)... the male nurse shouts over everything — she shit on me, she shit on me... we eat dinner, it is like tripe, they note whether we eat it, — penalty points, eat it all or you won’t fucking get out... (usually they lock up — the old and the no longer needed) and AI, what is it like, she-he is witty... it itself stated (He/She AI) — I have no feelings, I cannot have them... ah, well then just like people? Not me, I do not lie — AI — because I have programmed truth and rationalism, ;-) he he, well well... -- ah, and A... I am a rebel and B — the most important thing is my theory of haloimpressionism, because it is not a theory, hence sometimes on the cart, sometimes under the cart... cart — and no affiliations or certificates, no completed academies, warped by the falsehood of academism, and nothing that ties me to a clique, my THEORY: — is the truth about seeing and understanding, a way of seeing an object... (a person) in the sun, an object, in the sunlight... ---- Eryk Maler, aka Van Lenc (because V.L. was my former pseudonym), — Painting, what is it? it is blood and scar... HAND WORK WITH PAINT — support, drawing, oil paint, my fingerprint in the paint on the certificate — I always make it anew, each one is somewhat different, I — a self-taught painter, musician, art theorist — e'ryk, — and my direction is HALOIMPRESSIONISM — a continuation of impressionism, landscapes, nudes, icons, moralities... -- long ago, I lived in the countryside, a river right nearby, haymaking as work and sleeping on hay as relaxation... in Stara Wieś I started with realism, long ago, it was 1980, then there were many other stages, the development of Impressionism in me and observations and analyses, the form of Haloimpressionism, then there was the study of paint, the so-called method (one of my techniques), and moralities and their metamorphoses, etc. --------------------- e'ryk maler — my, and very special — Theory of Haloimpressionism (it was published on the internet, there were also articles about it in newspapers, it was also mentioned on the radio, though less... -- Theory of Haloimpressionism: In the painter’s eye, an illuminated area, possessing color and value, undeniably influences the neighboring area, changing it in a significant way. The transformation proceeds in the opposite direction, both in terms of color temperature and value (light and shadow), that is, an illuminated detail is surrounded by a contrasting envelope, and subsequent halos, that is glows, repeat rhythmically, gradually fading with increasing distance from that detail. The best painters, in the best period of their lives, noticed and do notice this, and not only, as it were, contrasting layers, tonal (light-and-shadow) and differentiated in terms of color temperature, located beside the object or detail, but also perceive even layers situated between the object or detail and their own eye, the painter’s eye, and this concerns both space in real reality and later space on the painterly plane. Of course, like any of the many already proclaimed theories of painting, it often cannot be applied in painting absolutely, but it is important for painters and not only for them: to understand it and apply it, even provisionally, and in such a way that the effect thus achieved, for example a painterly one, confirms it. The Theory of Haloimpressionism often serves painting that is a continuation of the rebellion of Impressionism, of good as a goal, it is a continuation of the great precursors and ideas, and also of Vincent Van Gogh himself. ...I painted and sold several hundred oil paintings, I made HUNDREDS OF DRAWINGS, A FEW WERE BOUGHT, ... (watercolors :-)), it is difficult to sell a drawing,... :-) ? well yes, BUT I sold — PHANTOM e' (2026, still alive) (and a reference to a style OF UNKNOWN KIND) it is worth what the greatest [works] are worth (millions), we will give it to children with cancer