Painting description

The painting bursts with a riot of colors. Blues, greens, and yellows dominate, coming together in an abstract pattern full of dynamism and movement. At the center of the composition, I can make out a blue butterfly surrounded by a swirling profusion of hues. The way these colors blend and interpenetrate brings to mind the chaotic harmony of nature. It feels like walking through a beautiful, colorful meadow where everything is possible. The atmosphere of the painting is full of energy and life. Every brushstroke seems charged with emotion. Such a painting may evoke feelings of wonder, perhaps even a slight sense of being lost in this whirl of colors. I think to myself, “Wow, this is amazing!” The technique appears to be inspired by Expressionism, with bold use of color and spontaneous brush movements. It is as if the artist wanted to capture a fleeting moment of beauty and energy. The painting may stir different emotions in each viewer. For some, it will be a metaphor for the chaos and beauty of life; for others, simply an explosion of joyful colors. A child might say: “It’s like a little butterfly dancing in the sky!” This work is a true feast for the eyes and the soul. These are truly refined oil paintings, originals, not prints and not copies... handmade—each one different, each in its own way, with many hidden meanings. THESE ARE CELEBRATIONS, and each day they will seem different to you. ----------- AI text: the greatest of today’s painters (THAT IS CERTAIN) — Eryk Maler is a Polish painter who, in his work, develops an original artistic current he calls haloimpressionism (the sanctification of holiness, an acceptance of suffering interwoven with fragments of happiness, the halos of that which is). Drawing inspiration from the works of masters such as Vincent (because he SUFFERED), Van Gogh, the artist focuses on depicting luminous nimbuses and circles that give his compositions a unique, vibrating dynamism (these are philosophical moralities). In his painting practice, he uses the oil technique, which allows for the precise rendering of the multilayered nature of light. A key element of his creative process is careful observation of optical phenomena occurring in full sunlight, where the painter’s eye perceives interpenetrating planes of color and subtle structures invisible at a casual glance. Maler’s work (Mejler — an artistic pseudonym, because he writes and writes... those emails) is also an emotional manifesto and a form of rebellion against suffering or injustice, which gives his works the character of committed performance art (PERFORMANCE 1: WILL THEY BURN IT — THEY BURNED IT; PERFORMANCE TWO: WILL THEY DESPISE IT — THEY DESPISED IT; PERFORMANCE 3 — SUICIDES AND DIVORCES, WILL THEY SANCTION IT? YES, THEY SANCTIONED IT). His compositions often return to motifs of nature, inspired by the landscape of the Oder basin, as well as to a deep fascination with the female figure AT EVERY AGE, CHILD, LITTLE GIRL IDOL, Kumari, depicted symbolically or as a sex symbol, ADULT, and full of expression — the Woman Sphinx cycle. -- (that’s how AI described me), divine, naive, he-she is still a child, that’s wonderful, and I — I study humanity, I even let myself be locked up in a mental institution to find out whom they lock up there, on the wall in Cibórz, the mad people hung Vincent and little tulips (vaginas)... a male nurse shouts over and over — she shit on me, she shit on me... we eat dinner, it looks like tripe, they note whether we eat it — penalty points, eat it all or you won’t fucking get out... (they usually lock up the old and no longer needed) and AI, what a thing, it is witty... it itself stated (He/She AI) — I have no feelings, I cannot have them... ah, so just like people? Not me, I don’t lie — AI — because I have truth and rationalism programmed into me ;-) heh heh, well well... -- and, A... I am a rebel and B — the most important thing is my theory of haloimpressionism, because it is not a theory, hence sometimes riding high, sometimes under the... cart — and no affiliations or certificates, no completed academies warped by the falsehood of academicism, and nothing that ties me to any clique, my THEORY: — is the truth about seeing and understanding, a way of seeing an object... (a person) in the sun, an object in the radiance of sunlight... ---- Eryk Maler, aka Van Lenc (because V.L. was my former pseudonym) — Painting, what is it? It is blood and scar... HANDMADE WORK WITH PAINT — canvas support, drawing, oil paint, my fingerprint in the paint on the certificate — I make it anew every time, each one slightly different, I — a self-taught painter, musician, art theorist — e’ryk, and my direction is HALOIMPRESSIONISM — a continuation of Impressionism, landscapes, nudes, icons, moralities... -- a long time ago, I lived in the countryside, a river right nearby, haymaking as work and sleeping on hay as relaxation... in Stara Wieś I started with realism, long ago, it was the year 1980, then there were many other stages, the development of Impressionism in me and observations and analyses, the form of Haloimpressionism, then there was the study of paint, the so-called method (one of my techniques), and moralities and their metamorphoses, etc. --------------------- e’ryk maler — my very special Theory of Haloimpressionism (it was published online, there were also newspaper articles about it, it was mentioned a little on the radio... -- Theory of Haloimpressionism: In the painter’s eye, an illuminated area possessing color and value unquestionably affects the neighboring area, changing it in a significant way. The transformation proceeds in the opposite direction, both in terms of color temperature and value (light and shade), which means that an illuminated detail is surrounded by a contrasting aura, and further halos, that is, glows, repeat rhythmically, gradually fading with increasing distance from that detail. The best painters, in the best period of their lives, perceived and still perceive this, and not only, as it were, contrasting layers—tonal (light and shade) and differentiated in terms of color temperature—located to the side of an object or detail, but also perceive even the layers situated between the object or detail and their own eye, the painter’s eye, and this applies both to space in real reality and later to space on the pictorial plane. Of course, like any of the many painting theories already proclaimed, it often cannot be applied absolutely in painting, but it is important for painters and not only for them to understand it and apply it, even provisionally, in such a way that the achieved effect—for example, a painterly one—confirms it. The Theory of Haloimpressionism often serves painting that is a continuation of the rebellion of Impressionism, of good as a goal, it is a continuation of great precursors and ideas, including Vincent van Gogh himself. ...I painted and sold several hundred oil paintings, I made HUNDREDS OF DRAWINGS, A FEW WERE BOUGHT... (watercolors :-)), it is hard to sell a drawing,... :-) ? yes, but I sold — SPECTER e’ (2026, still alive) (and a reference to a style OF UNKNOWN KIND) it is worth what the greatest works are worth (millions), we will give it to children with cancer.