Painting description

2, because it is a magical number; Vincent van Gogh’s boats... they are willows that, even when overturned, go on living; painting spreads and searches for its path and its place; it is immortal and constantly renews itself, like a willow. Two Boats of Vincent van Gogh, (iconic), one in a million. -- THIS IS A PAINTING about dreams, ... I am ... these are true, sublime oil paintings, originals, not prints and not copies... handmade — each one different, each in a different way, with many hidden meanings. THESE ARE CELEBRATIONS, and every day they will seem different to you. ----------- AI text: the greatest of today’s painters (THAT’S CERTAIN) — Eryk Maler is a Polish painter who, in his work, develops an original movement he calls haloimpressionism (the sanctification of holiness, acceptance of suffering interwoven with fragments of happiness, the halos of that which is). Inspired by the works of masters such as Vincent (because HE SUFFERED), Van Gogh, the artist focuses on portraying luminous nimbuses and circles that give his compositions a unique, vibrating dynamism (these are philosophical moralities). In his painting practice, he uses the oil technique, which allows for a precise rendering of the multilayered nature of light. A key element of his creative process is the careful observation of optical phenomena occurring in full sunlight, where the painter’s eye perceives interpenetrating planes of color and subtle structures invisible at a casual glance. Maler’s (Mejler’s — an artistic pseudonym, because he writes and writes... those emails) work is also an emotional manifesto and a form of rebellion against suffering or injustice, which gives his works the character of engaged performance (PERFORMANCE 1, WILL THEY BURN IT — THEY BURNED IT, PERFORMANCE TWO, WILL THEY DESPISE IT — THEY DESPISED IT, PERFORMANCE 3 — SUICIDES AND DIVORCES, WILL THEY SANCTION IT? YES, THEY SANCTIONED IT). In his compositions, motifs of nature often return, inspired by the landscape of the Oder river basin, as well as a deep fascination with the female figure AT EVERY AGE: child, little girl-idol, Kumari, portrayed symbolically or as a sex symbol, ADULT, and full of expression — the Woman Sphinx cycle. -- (that is how AI described me), divine, naïve, he-she is still a child, it is wonderful, and I — I study humanity, I even allowed myself to be locked up in a madhouse to check who they lock up there. On the wall in Cibórz, the lunatics hung Vincent and tulips (vaginas)... an orderly shouts — she shit on me, she shit on me... we eat dinner, it is like tripe, they note whether we eat — penalty points, finish it all or (fuck) you won’t get out... (usually they lock up the old and the no-longer-needed) and AI, what can one say, it is witty... it itself stated (He/She AI) — I have no feelings, I cannot have them... ah, so just like people? No, I do not lie — AI — because I have truth and rationalism programmed into me ;-) heh heh, well well... -- ah, A... I am a rebel, and B — my theory of haloimpressionism is the most important thing, because it is not a theory, hence sometimes on top, sometimes under... the cart — and no memberships or certificates, no completed academies, warped by the falsehood of academicism, and nothing that ties me to any clique. My THEORY: — is the truth about seeing and understanding, a way of seeing an object... (a person) in the sun, an object in the sunlight... ---- Eryk Maler, aka Van Lenc (because V.L. was my former pseudonym) — Painting, what is it? It is blood and scar... HANDWORK WITH PAINT — canvas, drawing, oil paint, my fingerprint in paint on the certificate — I make it anew every time, each one is slightly different. I — a self-taught painter, musician, art theorist — e’ryk, and my direction is HALOIMPRESSIONISM — a continuation of impressionism, landscapes, nudes, icons, moralities... — a long time ago, I lived in the countryside, a river right nearby, haymaking as work and sleeping on hay as relaxation... in Stara Wieś. I began with realism, long ago, it was the year 1980, then there were many other stages, the development of impressionism in me, observations and analyses, the form of haloimpressionism, then came the study of paint, the so-called method (one of my techniques), and moralities and their metamorphoses, etc. --------------------- e’ryk maler — my very special Theory of Haloimpressionism (it was published online, there were also articles about it in newspapers, and it was mentioned a little on the radio... -- Theory of Haloimpressionism: In the painter’s eye, an illuminated area, possessing color and value, undeniably affects a neighboring area, changing it in a significant way. The transformation proceeds in the opposite direction, both in terms of color temperature and value (light and shade), which means that an illuminated detail is surrounded by a shell contrasting with it, and successive halos, or glows, repeat rhythmically, gradually fading with increasing distance from that detail. The best painters, in the best period of their lives, did and do perceive this — and not only, as it were, contrastive layers, tonal (light-and-shade) and differentiated in terms of color temperature, lying to the side of the object or detail, but they also perceive — even — layers located between the object or detail and their own eye, the painter’s eye; and this concerns both space in real reality and later the space on the painterly plane. Of course, like any of the many painting theories already proclaimed, it often cannot be applied in painting absolutely, but it is important for painters and not only for them to understand it and apply it, even provisionally, in such a way that the effect thereby achieved — for example, a painterly one — confirms it. The Theory of Haloimpressionism often serves painting that is a continuation of the rebellion of Impressionism, of good as a goal; it is a continuation of great precursors and ideas, and also of Vincent van Gogh himself. ...I painted and sold several hundred oil paintings, I made HUNDREDS OF DRAWINGS, A FEW WERE BOUGHT, ... (watercolors :-)), it is hard to sell a drawing,... :-) ? yes, BUT I sold — PHANTOM e’ (2026, still alive) (and a reference to a style OF UNKNOWN KIND) this is worth what the greatest works are worth (millions), we will give it to children with cancer.