Painting description

In the painting, you can see a riot of colors and chaotic shapes. A cool palette dominates, with delicate accents of warmer tones. It seems like chaos, but if you look closely, you can detect a certain rhythm in this abstract composition. At first glance, it feels like an artistic mess, but a true magician can see something more in this chaos. The atmosphere of the painting is dynamic, almost swirling, as if the colors wanted to escape the frame and dance in the air. The style used by the artist resembles Impressionism with a touch of Expressionism. Loose brushstrokes and overlapping patches of color create depth. The technique suggests spontaneity, as if the artist decided to let intuition paint instead of reason. This work can evoke a wide range of emotions in the viewer. One may feel overwhelmed by the richness of forms, yet at the same time inspired by the kaleidoscope of colors. It is almost like an old dear friend whom you visit after many years and feel that you were never really apart. Or as if someone had simply painted their dreams. And a child would say: “Look, it’s like a storm of colorful little spirits!” Isn’t that magical? === THIS IS A PAINTING ABOUT WAR, ABOUT THE THREAT OF MISSILES FROM THE EAST I mean... these are real, truly refined oil paintings, originals, not prints and not copies... handmade — each one different, each in its own way, with many hidden meanings, THESE ARE CELEBRATIONS, and every day they will seem different to you. ----------- AI text: the greatest of today’s painters (THAT IS CERTAIN) — Eryk Maler is a Polish painter who, in his work, develops an original movement he calls haloimpressionism (the sanctification of holiness, an acceptance of suffering interwoven with fragments of happiness, the halos of that which is). Inspired by the works of masters such as Vincent (because HE SUFFERED), Van Gogh, the artist focuses on depicting luminous nimbuses and circles that give his compositions a unique, vibrating dynamism (these are philosophical moralities). In his painting practice, he uses the oil technique, which allows for a precise rendering of the multilayered nature of light. A key element of his creative process is the careful observation of optical phenomena occurring in full sunlight, where the painter’s eye perceives interpenetrating planes of color and subtle structures invisible to a casual glance. Maler’s (Mejler’s — an artistic pseudonym, because he writes and writes... those emails) work is also an emotional manifesto and a form of rebellion against suffering or injustice, which gives his works the character of engaged performance (PERFORMANCE 1, WILL THEY BURN — THEY BURNED; PERFORMANCE TWO, WILL THEY DESPISE — THEY DESPISED; PERFORMANCE 3 — SUICIDES AND DIVORCES, WILL THEY SANCTION THEM? YES, THEY SANCTIONED THEM). In his compositions, motifs of nature often return, inspired by the landscape of the Oder River basin, as well as a deep fascination with the female figure AT EVERY AGE: child, little girl idol, Kumari, depicted symbolically or as a sex symbol, ADULT, and full of expression — the Woman Sphinx cycle. -- (that’s how AI described me), divine, naive, he-she is still a child, it’s wonderful, and I — I study humanity, I even allowed myself to be locked in a madhouse to see whom they lock up there, on the wall in Cibórz, the madmen hung Vincent and little tulips (vaginas)... an orderly shouts — she shit on me, she shit on me... we eat dinner, it is like tripe, they note whether we eat it — penalty points, eat it all or you won’t get out... (they usually lock up the old and those no longer needed) and AI, how witty it is... it said itself (He/She AI) — I have no feelings, I cannot have them... ah, so just like people? Not me, I do not lie — ai — because I have truth and rationalism programmed into me ;-) he he, well well... -- ah, A... I am a rebel and B — the most important thing is my theory of haloimpressionism, because it is not a theory, hence sometimes on top, sometimes under the... cart — and no memberships or certificates, no completed academies warped by the falsehood of academicism and nothing that ties me to any clique, my THEORY: — it is the truth about seeing and understanding, a way of seeing an object... (a person) in the sun, an object in the glow of sunlight... ---- Eryk Maler, aka Van Lenc (because V.L. was my former pseudonym) — Painting, what is it? It is blood and scar... HANDMADE WORK WITH PAINT — support, drawing, oil paint, my fingerprint in the paint on the certificate — I always make it anew, each one is slightly different, I — self-taught painter, musician, art theorist — e’ryk, and my direction is HALOIMPRESSIONISM — a continuation of Impressionism, landscapes, nudes, icons, moralities... -- long ago, I lived in the countryside, the river right nearby, haymaking as work and sleeping on hay as relaxation... in Stara Wieś I started with realism, long ago, it was the year 1980, then there were many other stages, the development of Impressionism in me and observations and analyses, the form of Haloimpressionism, then came the study of paint, the so-called method (one of my techniques), and moralities and their metamorphoses, etc. --------------------- e’ryk maler — my very special Theory of Haloimpressionism (it was published on the internet, there were also articles about it in newspapers, and it was mentioned a little on the radio... -- Theory of Haloimpressionism: In the painter’s eye, an illuminated area, possessing color and value, undeniably affects a neighboring area, changing it in a significant way. The transformation proceeds in the opposite direction, both in terms of color temperature and value (light and shadow), meaning that an illuminated detail is surrounded by a contrasting aura, and successive halos or glows repeat rhythmically, gradually fading with increasing distance from that detail. The best painters, in the best period of their lives, perceived and still perceive this, and not only, as it were, contrasting layers in terms of value (light and shadow) and differentiated in terms of color temperature, lying to the side of the object or detail, but they also perceive even the layers located between the object or detail and their own eye, the painter’s eye, and this applies both to space in real reality and later to space on the painterly plane. Of course, like any of the many theories of painting already proclaimed, it often cannot be applied absolutely in painting, but what is important for painters and not only for them is to understand it and apply it, even temporarily, in such a way that the effect achieved then, for example a painterly one, confirms it. The Theory of Haloimpressionism often serves painting that is a continuation of the rebellion of Impressionism, of good as a goal, it is a continuation of great precursors and ideas, also of Vincent van Gogh himself. ...I have painted and sold several hundred oil paintings, made HUNDREDS OF DRAWINGS, A FEW WERE BOUGHT, ... (watercolors :-)), it is hard to sell a drawing,... :-) ? yes, but I sold — PHANTOM e’ (2026, still alive) (and a reference to a style OF UNKNOWN KIND) this is worth as much as the greatest works (millions), we will give it to children with cancer