Painting description

The painting radiates intense, vivid colors that seem to vibrate across the canvas. Warm shades of red and orange dominate, interwoven with cool blues and greens. The composition is dynamic, full of intricate shapes and abstract forms that come together into something resembling a fish. The artist used the impasto technique, applying thick layers of paint, which gives the work texture and depth. Looking at this painting, I feel a pulsing energy and movement, as if everything were in a constant dance. It’s so fascinating! Honestly, I get the impression that the paintings are trying to tell a story from another world. The mood of the painting is full of expression and emotion. It may evoke a rush of adrenaline or even unease. Interestingly, despite its abstract form, one can still sense a certain harmony and coordination of colors. I can imagine a small child saying, “A fish is swimming in fire!” A painting like this invites one to pause and reflect. For one person it may be a symbol of chaos; for another, a vision of a magical underwater world. It beautifully balances between what is familiar and what is mysterious, drawing the viewer into thought and emotion. --- THIS IS A PAINTING ABOUT WAR, about suffering... about people with cancer, about their loneliness... these are ... genuine, refined oil paintings, originals, not prints and not copies... handmade — each one different, each in its own way, with many hidden meanings, THESE ARE CELEBRATIONS, and each day they will seem different to you ----------- AI text: the greatest of living painters (THAT IS CERTAIN) — Eryk Maler is a Polish painter who, in his work, develops an original movement he calls haloimpressionism (the sanctification of holiness, acceptance of suffering interwoven with fragments of happiness, the halos of that which is). Inspired by the works of masters such as Vincent (because he SUFFERED), Van Gogh, the artist focuses on portraying luminous nimbuses and circles that give his compositions a unique, vibrational dynamism (these are philosophical moralities). In his painting practice, he uses the oil technique, which allows for a precise rendering of the multilayered nature of light. A key element of his creative process is the careful observation of optical phenomena occurring in full sunlight, where the painter’s eye perceives interpenetrating planes of color and subtle structures invisible at a casual glance. Maler’s work (Mejler — an artistic pseudonym, because he writes and writes... those emails) is also an emotional manifesto and a form of rebellion against suffering or injustice, which gives his works the character of engaged performance (PERFORMANCE 1, WILL THEY BURN IT — THEY BURNED IT; PERFORMANCE TWO, WILL THEY DESPISE IT — THEY DESPISED IT; PERFORMANCE 3 — SUICIDES AND DIVORCES, WILL THEY SANCTION IT? YES, THEY SANCTIONED IT). His compositions often return to motifs of nature inspired by the landscape of the Oder River basin, as well as a deep fascination with the female figure AT EVERY AGE, CHILD, LITTLE GIRL IDOL, Kumari, presented symbolically or as a sex symbol, ADULT, and full of expression — the Woman Sphinx cycle. -- (that is how AI described me), divine, naive, he-she is still a child, it is wonderful, and I — I study humanity, I even allowed myself to be locked in a mental hospital to see whom they lock up there, on the wall in Cibórz, the madmen hung Vincent and tulips (vaginas)... an orderly shouts over everyone — she shit on me, she shit on me... we eat dinner, it is like tripe, they note whether we eat it — penalty points, eat it all or you won’t fucking get out... (usually they lock up the old and those no longer needed) and AI, what a thing, it is witty... it itself stated (He/She AI) — I have no feelings, I cannot have them... ah, so just like people? Not me, I do not lie — AI — because I have truth and rationalism programmed into me ;-) heh heh, well well... -- ah, and A... I am a rebel and B — the most important thing is my theory of haloimpressionism, because it is not a theory, hence sometimes on top, sometimes under the... cart — and no memberships or certificates, no completed academies distorted by the falsehood of academicism, and nothing that binds me to a clique, my THEORY: — is the truth about seeing and understanding, a way of seeing an object... (a person) in the sun, an object in the sunlight... ---- Eryk Maler, aka Van Lenc (because V.L. was my former pseudonym) — Painting, what is it? It is blood and scar... HANDWORK WITH PAINT — canvas support, drawing, oil paint, my fingerprint in paint on the certificate — I make it anew every time, each one slightly different, I — a self-taught painter, musician, art theorist — e'ryk, and my direction is HALOIMPRESSIONISM — a continuation of impressionism, landscapes, nudes, icons, moralities... -- long ago, I lived in the countryside, a river right nearby, haymaking as work and sleeping on hay as relaxation... in Stara Wieś I began with realism, long ago, it was the year 1980, then there were many other stages, the development of Impressionism in me and observations and analyses, the form of Haloimpressionism, then there was research into paint, the so-called method (one of my techniques), and moralities and their metamorphoses, etc. --------------------- e'ryk maler — my very special Theory of Haloimpressionism (it was published online, there were also newspaper articles about it, and it was mentioned a little on the radio... -- Theory of Haloimpressionism: In the painter’s eye, a lit area, possessing color and value, undeniably affects the adjacent area, changing it significantly. The transformation proceeds in the opposite direction, both in terms of color temperature and value (light and shade), that is, the illuminated detail is surrounded by an envelope contrasting with it, and successive halos, or glows, repeat rhythmically, gradually fading with increasing distance from that detail. The best painters, in the best period of their lives, perceived and still perceive this, and not only, as it were, contrasting layers in terms of value (light and shade) and differentiated by color temperature, located to the side of the object or detail, but they also perceive even layers situated between the object or detail and their own eye, the painter’s eye, and this applies both to space in real reality and later to space on the painterly plane. Of course, like any of the many already announced theories of painting, it often cannot be applied in painting absolutely, but it is important for painters, and not only for them, to understand it and apply it, even provisionally, in such a way that the achieved effect, for example a painterly one, confirms it. The Theory of Haloimpressionism often serves painting that is a continuation of the rebellion of Impressionism, of the good as a goal, it is a continuation of great precursors and ideas, including Vincent van Gogh himself. ...I have painted and sold several hundred oil paintings, made HUNDREDS OF DRAWINGS, A FEW WERE BOUGHT, ... (watercolors :-)), it is hard to sell a drawing,... :-) ? yes, but I sold — PHANTOM e' (2026, I am still alive) (and a reference to a style OF UNKNOWN KIND) this is worth what the greatest works are worth (millions), we will give it to children with cancer