{"id":1389,"date":"2012-12-02T11:36:28","date_gmt":"2012-12-02T09:36:28","guid":{"rendered":"http:\/\/www.touchofart.eu\/blog\/?p=1389"},"modified":"2020-01-08T03:13:19","modified_gmt":"2020-01-08T01:13:19","slug":"krotka-podroz-po-impresjonizmie","status":"publish","type":"post","link":"https:\/\/www.touchofart.eu\/blog\/krotka-podroz-po-impresjonizmie\/","title":{"rendered":"Kr\u00f3tka podr\u00f3\u017c po IMPRESJONIZMIE"},"content":{"rendered":"<p>M\u00f3wi\u0105c o <strong>impresjonizmie<\/strong>, musimy zwr\u00f3ci\u0107 uwag\u0119 na bardzo istotny fakt. Gdyby\u015bmy chcieli wyodr\u0119bni\u0107 nazwiska tylko tych malarzy, kt\u00f3rych mo\u017cna okre\u015bli\u0107 mianem <em>czystych impresjonist\u00f3w<\/em>, na naszej li\u015bcie znalaz\u0142by si\u0119 jedynie 3 nazwiska: <strong>Monet, Pissarro i Sisley<\/strong>.<\/p>\n<p>Nie ma jednak w\u0105tpliwo\u015bci, \u017ce w pracach<strong> Cezanne&#8217;a, van Gogha<\/strong>, czy <strong>Gauguina<\/strong> zwi\u0105zek z impresjonizmem jest oczywisty!<\/p>\n<p>Poni\u017cej prezentujemy Pa\u0144stwu list\u0119 <strong>10 Obraz\u00f3w<\/strong>, kt\u00f3re przybli\u017c\u0105 Wam natur\u0119 i charakter tego wyj\u0105tkowego kierunku. Zosta\u0142a ona stworzona na podstawie artyku\u0142u <em>The Impressionism Seen Through 50 Paintings<\/em>, zamieszczonego na portalu theartwolf.com i uwzgl\u0119dnia dzie\u0142a zar\u00f3wno impresjonist\u00f3w<em> czystych<\/em>, jak i tych, w pewien spos\u00f3b z impresjonizmem zwi\u0105zanych.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>\u00a0Claude Monet, <em>Impression, sunrise<\/em>, 1873r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Zatoka portowa w Le Havre. Obraz zaprezentowany na pierwszej wystawie impresjonist\u00f3w w 1874r. <\/em><\/p>\n<p style=\"text-align: center;\"><em>Wywo\u0142a\u0142 wiele krytycznych opinii (jak i zreszt\u0105 ca\u0142y ruch impresjonistyczny).<\/em><\/p>\n<p style=\"text-align: center;\"><em> Cena wywo\u0142awcza Obrazu wynosi\u0142a 1.000 frank\u00f3w. Nikt z obecnych nie wyrazi\u0142 jednak ch\u0119ci jego zakupu.<\/em><\/p>\n<figure id=\"attachment_1390\" aria-describedby=\"caption-attachment-1390\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1390\" title=\"Impression, sunrise\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/1.jpg\" alt=\"\" width=\"450\" height=\"346\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/1.jpg 743w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/1-300x230.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-1390\" class=\"wp-caption-text\">foto: Artquotes&#8217; catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Alfred Sisley,<em> Chemin de la Machine, Louvecinnes<\/em>, 1873r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Obrazy inspirowane miasteczkiem Louvecinnes s\u0105 prawdopodobnie najwi\u0119kszym osi\u0105gni\u0119ciem malarza.<\/em><\/p>\n<p style=\"text-align: center;\"><em>Obecnie dzie\u0142o znajduje si\u0119 w paryskim Musee d&#8217;Orsay.<\/em><\/p>\n<figure id=\"attachment_1391\" aria-describedby=\"caption-attachment-1391\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1391\" title=\"Chemin de la Machine, Louvecinnes\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/2.jpeg\" alt=\"\" width=\"450\" height=\"332\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/2.jpeg 600w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/2-300x221.jpeg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-1391\" class=\"wp-caption-text\">foto: Art in The Picture&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Camille Pissarro,<em> Landscape at Pontoise<\/em>, 1874r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Pissarro jest znany przede wszystkim z uwieczniania \u017cycia wiejskiego p\u00f3\u0142nocnej Francji, <\/em><\/p>\n<p style=\"text-align: center;\"><em>g\u0142\u00f3wnie miasta Pontoise.<\/em><\/p>\n<figure id=\"attachment_1392\" aria-describedby=\"caption-attachment-1392\" style=\"width: 449px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1392\" title=\"Landscape at Pontoise\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/3.jpg\" alt=\"\" width=\"449\" height=\"330\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/3.jpg 800w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/3-300x220.jpg 300w\" sizes=\"(max-width: 449px) 100vw, 449px\" \/><\/a><figcaption id=\"caption-attachment-1392\" class=\"wp-caption-text\">foto: Fabulous Masterpieces&#8217; catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Pierre-Auguste Renoir, <em>Moulin de la Galette<\/em>, 1876r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Arcydzie\u0142o zosta\u0142o obwo\u0142ane najpi\u0119kniejszym obrazem XXw.<\/em><\/p>\n<p style=\"text-align: center;\"><em>Przedstawia jedno z najs\u0142awniejszych miejsc Montmartre &#8211; Moulin de la Galette,<\/em><\/p>\n<p style=\"text-align: center;\"><em> kt\u00f3re stanowi\u0142o mekk\u0119 \u00f3wczesnej bohemy.<\/em><\/p>\n<figure id=\"attachment_1393\" aria-describedby=\"caption-attachment-1393\" style=\"width: 449px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1393\" title=\"Moulin de la Galette\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/4.jpg\" alt=\"\" width=\"449\" height=\"331\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/4.jpg 450w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/4-300x221.jpg 300w\" sizes=\"(max-width: 449px) 100vw, 449px\" \/><\/a><figcaption id=\"caption-attachment-1393\" class=\"wp-caption-text\">foto: Renoir Gallery&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Paul Gauguin, <em>Where do we come from? What are we? Where are we going?<\/em>, 1897r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Dzie\u0142o stanowi nie tylko najwi\u0119ksz\u0105 (pod wzgl\u0119dem formatu: 139-375cm) prac\u0119 Artysty. <\/em><\/p>\n<p style=\"text-align: center;\"><em>Jest przede wszystkim prezentacj\u0105 z\u0142o\u017conej filozofii Gauguina.<\/em><\/p>\n<figure id=\"attachment_1394\" aria-describedby=\"caption-attachment-1394\" style=\"width: 539px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1394 \" title=\"Where do we come from? What are we? Where are we going?\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/5.jpg\" alt=\"\" width=\"539\" height=\"195\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/5.jpg 1068w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/5-300x108.jpg 300w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/5-1024x371.jpg 1024w\" sizes=\"(max-width: 539px) 100vw, 539px\" \/><\/a><figcaption id=\"caption-attachment-1394\" class=\"wp-caption-text\">foto: Artchive&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Paul Cezanne, <em>Still life with fruit basket (the kitchen table)<\/em>,ok. 1880-1890r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Gdzie dok\u0142adnie stoi kosz? W prawym rogu sto\u0142u, czy mo\u017ce na ziemi, wraz z kawa\u0142kiem drewna?<\/em><\/p>\n<p style=\"text-align: center;\"><em>Cezanne pos\u0142u\u017cy\u0142 si\u0119 tu podw\u00f3jn\u0105 perspektyw\u0105, dzi\u0119ki czemu Obraz jest intryguj\u0105cy i niebanalny.<\/em><\/p>\n<p style=\"text-align: center;\"><em>Widoczne zal\u0105\u017cki kubizmu.<\/em><\/p>\n<figure id=\"attachment_1395\" aria-describedby=\"caption-attachment-1395\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1395\" title=\"Still life with fruit basket (the kitchen table)\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/6.jpg\" alt=\"\" width=\"450\" height=\"355\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/6.jpg 450w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/6-300x237.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-1395\" class=\"wp-caption-text\">foto: Art of Europe&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Vincent van Gogh, <em>Starry night<\/em>, 1889r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Jedno z najbardziej znanych dzie\u0142 malarza. Prezentuje nocny widok z okna pokoju w szpitalu<\/em><\/p>\n<p style=\"text-align: center;\"><em> psychiatrycznym Saint-Paul-de Mausole,w kt\u00f3rym malarz przebywa\u0142 od maja 1889r. <\/em><\/p>\n<p style=\"text-align: center;\"><em>&#8217;Starry night&#8217;, jako jeden z nielicznych Obraz\u00f3w, zosta\u0142 namalowany z pami\u0119ci autora.<\/em><\/p>\n<figure id=\"attachment_1396\" aria-describedby=\"caption-attachment-1396\" style=\"width: 390px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1396\" title=\"Satrry night\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/7.jpg\" alt=\"\" width=\"390\" height=\"310\" \/><\/a><figcaption id=\"caption-attachment-1396\" class=\"wp-caption-text\">foto: Van Gogh Gallery&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Eduard Manet,<em> Le Dejeuner sur l&#8217;Herbe (Luncheon on the grass)<\/em>, 1862\/63r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Niekt\u00f3rzy eksperci nazwali Obraz 'pocz\u0105tkiem impresjonizmu&#8217;. <\/em><\/p>\n<p style=\"text-align: center;\"><em>Zosta\u0142 on wystawiony w 1863r. w Salonie Odrzuconych i wywo\u0142a\u0142 istny skandal. <\/em><\/p>\n<p style=\"text-align: center;\"><em>Zarzucano mu wulgarno\u015b\u0107 i niestosowno\u015b\u0107. Autor broni\u0142 si\u0119 jednak powtarzaj\u0105c, <\/em><\/p>\n<p style=\"text-align: center;\"><em>\u017ce 'g\u0142\u00f3wnym aktorem w tym Obrazie jest \u015bwiat\u0142o&#8217;.<\/em><\/p>\n<figure id=\"attachment_1398\" aria-describedby=\"caption-attachment-1398\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/81.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1398\" title=\"Le Dejeuner sur l'Herbe (Luncheon on the grass)\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/81-1024x806.jpg\" alt=\"\" width=\"450\" height=\"354\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/81-1024x806.jpg 1024w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/81-300x236.jpg 300w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/81.jpg 1642w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-1398\" class=\"wp-caption-text\">foto: Wikipedia&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Georges Seurat, <em>Sunday afternoon on the island of La Grande &#8211; Jatte<\/em>, 1884-86r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Seurat jest jednym z najwa\u017cniejszych malarzy post-impresjonizmu.<\/em><\/p>\n<p style=\"text-align: center;\"><em>Przedstawiony Obraz stanowi jego najlepsz\u0105 prac\u0119. Malowa\u0142 go a\u017c 2 lata.<\/em><\/p>\n<figure id=\"attachment_1399\" aria-describedby=\"caption-attachment-1399\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/9.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1399\" title=\"Sunday afternoon on the island of la Grande - Jatte\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/9.jpg\" alt=\"\" width=\"450\" height=\"302\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/9.jpg 800w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/9-300x201.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-1399\" class=\"wp-caption-text\">foto: Wikipedia&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Henri De Toulouse-Lautrec, <em>At the Moulin Rouge<\/em>, 1890r.<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Toulouse-Lautrec jest znany jako najlepszy kronikarz nocnego \u017cycia Pary\u017ca w XIXw.<\/em><\/p>\n<figure id=\"attachment_1400\" aria-describedby=\"caption-attachment-1400\" style=\"width: 449px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1400\" title=\"At the Moulin Rouge\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/10-1024x896.jpg\" alt=\"\" width=\"449\" height=\"393\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/10-1024x896.jpg 1024w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/10-300x262.jpg 300w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/10.jpg 1392w\" sizes=\"(max-width: 449px) 100vw, 449px\" \/><\/a><figcaption id=\"caption-attachment-1400\" class=\"wp-caption-text\">foto: Wikipedia&#8217;s catalogue<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u0179r\u00f3d\u0142o: theartwolf.com<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Propozycja Galerii TouchofArt<\/p>\n<figure id=\"attachment_1401\" aria-describedby=\"caption-attachment-1401\" style=\"width: 150px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.touchofart.eu\/Andrew-Zhao\/azh1-Impression-of-North-West-Qinghai\/\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1401\" title=\"Andrew Zhao\" src=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/Andrew-Zhao-300x295.jpg\" alt=\"\" width=\"150\" height=\"148\" srcset=\"https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/Andrew-Zhao-300x295.jpg 300w, https:\/\/www.touchofart.eu\/blog\/wp-content\/uploads\/2012\/12\/Andrew-Zhao.jpg 770w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-1401\" class=\"wp-caption-text\">Impression of North West Qinghai, Andrew Zhao<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>M\u00f3wi\u0105c o impresjonizmie, musimy zwr\u00f3ci\u0107 uwag\u0119 na bardzo istotny fakt. Gdyby\u015bmy chcieli wyodr\u0119bni\u0107 nazwiska tylko tych malarzy, kt\u00f3rych mo\u017cna okre\u015bli\u0107 mianem czystych impresjonist\u00f3w, na naszej li\u015bcie znalaz\u0142by si\u0119 jedynie 3 nazwiska: Monet, Pissarro i Sisley. Nie ma jednak w\u0105tpliwo\u015bci, \u017ce w pracach Cezanne&#8217;a, van Gogha, czy Gauguina zwi\u0105zek z impresjonizmem jest oczywisty! Poni\u017cej prezentujemy Pa\u0144stwu&#8230;<\/p>\n","protected":false},"author":2,"featured_media":1402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[888,959,965,969,966,961,974,693,976,978,948,637,962,957,968,975,967,862,471,958,964,232,970,960,973,972,977,963,616,971],"_links":{"self":[{"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/posts\/1389"}],"collection":[{"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/comments?post=1389"}],"version-history":[{"count":4,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/posts\/1389\/revisions"}],"predecessor-version":[{"id":2163,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/posts\/1389\/revisions\/2163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/media\/1402"}],"wp:attachment":[{"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/media?parent=1389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/categories?post=1389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.touchofart.eu\/blog\/wp-json\/wp\/v2\/tags?post=1389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}